Hello

At the core of my artistic practice lies a tension between the visible and the invisible. I approach this tension as a working method — engaging with form, systems, and meaning through structures that operate at the edge of visibility and become perceptible through processes of transformation and reconstruction. I work through reduction and restraint, holding the image at the threshold of appearance, where meaning emerges through economy of means and trust in the viewer.

In my projects, I move between painting, drawing, printmaking, artist books, and installation.

Many series grow out of long-term research into natural processes, memory, and systems of knowledge — from crystallisation and geological time to urban architecture and the logic of visual attention. Minimal form and colour serve to reveal the internal structure of the image and perception itself.

I see my practice as a search for clarity — a state in which accumulated cultural and personal experience ceases to be background and becomes a source of recognition and shared language.