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Structural Studies
This group of works documents an early research phase that preceded the mural and the later minimalist compositions.
The images emerged from a process of structural analysis inspired by the work of Sonia Delaunay, focusing on how composition can grow from circles, radial systems, symmetry, and measured imbalance. The emphasis was placed on relationships rather than individual forms — how elements align, interrupt, mirror, and stabilize each other within a limited visual vocabulary.



Working in a restrained palette allowed attention to shift toward proportion, rhythm, and spatial tension. Subtle shifts in scale, alignment, and density became the primary tools for shaping visual movement and internal structure.


These images function as visual notes and working diagrams. They record a moment of transition when abstract research began to move toward architectural scale and public space.









This phase established the structural language that later expanded into the mural and subsequent minimalist works.






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